More Chaucer this week. This time it’s the man himself rather than his work. The last time I wrote about his life on this blog (towards the end of 2018), Toutparmoi mentioned The Life of Geoffrey Chaucer by Derek Pearsall, so I bought a copy, and it has proven to be a good purchase. It was published almost thirty years ago, so there is a chance that some of what it contains has been superseded by more recent research.
The book’s subtitle is A Critical Biography and that’s the part that I found least pleasing. Pearsall ties what is known of Chaucer’s life to the supposed dates of his works. I say ‘supposed’, because no one really knows when he wrote which works. Some can be narrowed down to a decade or so, and The Book of the Duchess must have been written after the death of Blanche of Lancaster, the duchess it celebrates. There are some clues, but few of them clear cut.
Since I’ve only read one of Chaucer’s poems, these sections of the book meant nothing to me. The discussions about various interpretations of the actions of different characters, particularly in The Canterbury Tales, must be engaging if you’re familiar with them, but I’m not.
There are surprisingly few records of Chaucer’s life. Most of them are about annuities given to him, or expenses for clothing for special occasions while he was in service to various royal households. Some relate to court cases against him for debt and one for rape. This last raises all kinds of questions about Chaucer, but Pearsall offers no definitive answer, which is quite correct of him, given the impossibility of obtaining any of the facts, let alone all of them after more than six centuries.
Pearsall is very good at putting what is known (and sometimes what isn’t known) about Chaucer into context. There’s no information about Chaucer’s education, so Pearsall doesn’t jump to conclusions about his schooling, but describes the kind of education a boy of Chaucer’s class would have had. He does something similar at other points in the book.
The picture Pearsall paints of Chaucer is, of necessity, superficial. It’s also surprisingly unattractive. It’s hard to reconcile the (possible) rapist and constant debtor with the trusted servant of royalty and creator of some of the best poetry written in the Middle Ages.
I think Pearsall’s ideal reader is someone who has read all of Chaucer’s works, is interested in the fourteenth century in general and in Chaucer’s life in particular, in that order. Since I only fall into the last two categories, I don’t feel that I’ve reaped the full benefit of reading this book. Despite that, I’ve learned a lot from it.
April Munday is the author of the Soldiers of Fortune and Regency Spies series of novels, as well as standalone novels set in the fourteenth century.